| Selected content may require a fee. [Click here for details →] |
جلد جدید دائره المعارف بزرگ اسلامی (دانشنامه اسلامیکا) منتشر شد.در رسانه مدرن مدیا به مناسبت رونمایی از جلد ۲۶ ام از این مجموعه فاخر و منحصر بفرد فرهنگی و هنری در دوران معاصر با فریبا افتخار ،معاون بخش هنر و معماری پروژه در خصوص مکتوب نمودن تاریخ شفاهی هنروفرهنگ درشاخه های مختلف ادبیات فارسی،فلسفه،موسیقی،باستان شناسی،ادبیات عرب،جغرافیا،تاریخ،مردم شناسی،عرفان و ادیان،کلام و فقه و علوم، گفتگو کردیم. این پروژه ملی از سال ۱۳۶۳ پایه گذاری و آغاز گردیده است.فریبا افتخار پس از اتمام دوره کارشناسی در رشته صنایع دستی و گذراندن دوره ارشد مرمت و باستان شناسی در سال ۱۳۷۰،به واسطه دکتر سمسار ،رئیس بخش هنر پروژه ،در مسیر ارائه پایان نامه خود و انتشار جلد ششم از مجموعه کتب ،به تیم تحقیقاتی پروژه پیوست و از جلد هفتم ،حضور مستمر خود را در ادامه پروژه تداوم داد.زمان جمع آوری اطلاعات و پژوهش ها در هر جلد کتاب متفاوت و بر اساس درصد همانندی مطلوب با روند پروژه توسط مقالات و پژوهش های خام به عتوان منابع ارجاع تعیین می گردد.سایت های تاریخی،سایت های باستانشناسی ، محوطه های مطالعاتی در قالب تحقیقات میدانی مورد نیاز در پروژه ،از دیگر شیوه های گرداوری محتوا می باشند.دشواری مسیر زمانی آشکار می شود که تیم های تخصصی مؤلفین،علاوه بر حضور و تسلط بر این شیوه تحقیقات میدانی،با چالش ویرایش مقالات و منابع ابتدایی مواجه می شوند،شیوه خاص و استاندارد تعیین شده در پروژه برای ارجاع دهی و انواع مطلوب آن در جهت پیشبرد کانسپت تعریف شده این مگا پروژه،نیازمند صرف زمان و دقت بسیار بالا می باشد.بخش های مختلف ویرایش علمی،راستی ازمایی تاریخی و صحت مقالات و ارجاع دهی منابع را برعهده دارند، جلد بندی کتب پروژه براساس حروف الفبا صورت می پذیرد،جلد ۲۶ ام از مجموعه به مطالب با حرف “ز” می پردازد.مخاطبین این مجموعه تمامی علاقمندان و متخصصان حوزه های مربوطه،محققین،پژوهشگران،دانشجویان و فعالان فرهنگی و هنری می باشند.این مجموعه نفیس به زبان فارسی،عربی و انگلیسی ترجمه گردیده است.
دانش و مهارت رفوگری قالی ایران در فهرست میراث فرهنگی ناملموس ایران ثبت شدند.دانش و مهارت رفوگری قالی تهران ، اصفهان ،کاشان ،شیراز ،قم ، مشهد ، تبریز با تلاش و پیگیری دکتر غلامرضا طوسیان مدرس ،پژوهشگر و عضو هیئت علمی دانشگاه پیام نور در سال ۱۳۹۵ به انجام رسید..غلامرضا طوسیان که دکترای خود را در رشته مرمت اشیا تاریخی و فرهنگی از دانشگاه اصفهان کسب نموده است از کودکی به واسطه فعالیت اجرایی و همجواری با حوزه فرش پس از ورود به دانشگاه هنر و معماری تهران و تحصیل در رشته طراحی صنعتی و گذراندن تحصیلات تکمیلی ارشد در رشته پژوهش هنر ، با تکیه بر تجربه و علاقه خود مسیر را در جهت ثبت این مهارت ملی ترسیم و هموار گردانید..از جمله مقالات وی در حوزه فرش می توان به ؛ شناسایی،بررسی واندازه گیری اختلالات اسکلتی-عضلانی ناشی ازقرارگیری مرمت گر وابزارنامناسب درمرمت قالی،به منظورطراحی وساخت ایستگاه کاری مرمت قالی ایران (۱۳۹۴)،آسیب شناسی و سطح بندی آسیب های قالی ایران (۱۳۹۳)،ابزار نوین در مرمت قالی ایران (۱۳۹۸)،آسیب شناسی روش های نمایش قالی دستباف در موزه های فرش و ارائه راهکار عملی (۱۳۹۹)،پژوهشی بر دانش و مهارت رفوگری قالی ایران،پیش درآمدی بر ثبت ملی و جهانی این هنر-صنعت اصیل ایرانی(۱۳۹۸)و موارد دیگر … اشاره کرد.
This is one of a small group of carpets woven entirely of silk with approximately 800 knots per square inch, representing the highest level of production in sixteenth‑century Iran. In contrast to the other floral and geometric carpets in this group, this outstanding example displays a painterly approach, with images of animals in combat against a background of flowering plants. The range of animals includes lions, tigers, and rams, as well as spotted dragons and horned, deerlike beasts borrowed from Chinese art. Similar imagery appears on manuscript paintings and lacquer bookbindings produced at the same time.
The Met Museum (Not on view)
Parasol unit foundation for contemporary art is delighted to present Nine Iranian Artists in London: THE SPARK IS YOU, a group exhibition of works by contemporary Iranian artists whose vision looks beyond the ordinary. Each piece was selected for the affinity with openness, respect and human interconnectedness evinced in the work
Morteza Ahmadvand | Nazgol Ansarinia | Ghazaleh Hedayat | Sahand Hesamiyan
Koushna Navabi | Navid Nuur | Sam Samiee | Hadi Tabatabai | Hossein Valamanesh
In parallel with its ongoing Arab Print exhibition series, Meem Gallery presents Iran Print, its first presentation of printmaking from Iran. The exhibition opens on 23 September and will be on view from 24 September until 5 November 2019
The exhibition is curated by Yashar Samimi Mofakham and Tarlan Rafiee and showcases the long history of printmaking in Iran and its development into the 20th century. It features works by Iranian modern masters Bahman Mohassess, Sirak Melkonian, Parviz Tanavoli and Charles Hossein Zenderoudi alongside a historical collection of Qajar period lithographs
The Qajars dynasty came to power in 1779 and brought with it an appetite for the visual arts and new technologies. The crown prince and governor of Azerbaijan Abbas Mirza sent students to study lithography and printmaking in England and Russia. He established a printing house in Tabriz in 1812, making the city an important center of publishing. As well as utilizing these new technologies for the production of printed text in newspapers and books, the Qajars adapted the media to mass-produce images of the shahs to aid in the dissemination of their likeness, broadening their reach and helping to the establish their supremacy
Zenderoudi was born in 1937 Tehran, Iran. He lives and works in France. Known as one of the founders of the neo-traditionalist Saqqakhaneh movement, Charles Hossein Zenderoudi enrolled at the Tehran College of Decorative Arts to study painting in the mid-1950s. His interest in traditional Islamic material culture and aesthetics, most notably Persian calligraphy, led him to develop his distinctive abstract compositions, dense with dots, letter, and numbers
Bahman Mohasses was a prominent Iranian painter, sculptor, and printmaker. He was also known in dramaturgical circles, due to his translation services being utilised for theatrical scripts. As a young painter working in a realist style, in the 1950’s Mohassess joined the Khorous-Jangi Society, an avant-garde artistic group founded by Jalil Ziapour in 1949 in Iran. In 1954 he moved to Italy and attended the Accademia di Bella Arti di Roma, where he began experimenting with the subject matters he was later so well known for; such as; expressive and unusually formed animals, objects and the human figure.
TEHRAN. (HONARONLINE) – The Art Newspaper has chosen Iran’s pavilion as one of the must-see attractions of this year’s Venice Biennale in Italy. Iran is closely followed by other pavilions from Lithuania, Zimbabwe, Mongolia, Portugal and Estonia.Iran is taking part in the 58th International Art Exhibition – La Biennale di Venezia (Venice Biennale), dubbed Of Being and Singing, in Venice, Italy. The program runs from May 11th to November 24th. International media continue to cover news and reports about Iran and Iranian artists taking part at this year’s Venice Biennale.The Art Newspaper, an online and print publication that covers the international art world, was founded in 1990 by Umberto Allemandi and Anna Somers Cocks on the original concept of Il Giornale dell’Arte, founded 1983. The Art Newspaper International Edition has offices in London and New York
Exploring 5,000 years of art, design and culture, Epic Iran shined a light on one of the greatest historic civilisations, its journey into the 21st century and its monumental artistic achievements, which remain unknown to many
For the first time in a Berlin institution, the cultural history of Iran – from the early civilisations through to the modern era – is the focus of a major art-historical survey exhibition. Some 360 objects from the Sarikhani Collection in London are on display, alongside exhibits from the Staatliche Museen zu Berlin. The works on exhibit bear witness to the central role that Iran played as a site of innovation, as a melting pot and cultural powerhouse connecting Africa, Asia and Europe. Additionally, it presents a rich kaleidoscope of the cultural creativity of urban societies.
Coinciding with the in-person return of Paris’s FIAC, the 7th edition of ASIA NOW will take place October 21—24 at 9, avenue Hoche in the 8th arrondissement. Conceived around the idea of “The Art of Living on a Damaged Planet,” this year’s iteration will feature more than 30 presenters highlighting the work of Asian and -diasporic artists, seen across programming like a main exhibitions sector, a lineup of special projects, conversations, and performances, the off-site L’Asie Maintenant, and for the first time ever, an Iranian art sector, Tehran NOW
Exhibitors in the main presentations platform will include those like Louis & Sack, Galerie Vazieux, Red Zone Arts, Yavuz Gallery, CMS Collection, Aktis Gallery, and Galerie Templon. Among these presentations, visitors can expect to find the work of artists like Chen Jiang-Hong, Kengo Nakamura
Fairgoers will find the best of Iran’s art scene in Tehran NOW through presentations like +2 Gallery’s group presentation “Fragmented Orientalism,” the work of Arash Hanaei and Sonia Balassanian with Ab-Anbar Art Gallery, and Bavan Gallery’s exhibition of the artist Elham Etemadi. Other Tehran-based exhibitors include SARADIPOUR Art Gallery, Aaran Art Gallery, Azad Art Gallery, Mohsen Gallery, and Etemad Gallery.Curated by Thanks for Nothing,this year’s roster of conversations will encompass round table discussions like “Focus on the crisis situation in Afghanistan” and a talk surrounding the fair’s “BURNING WINGS” project. Other happenings to look out for include a special exhibition of Elika Hedayat with Galerie Aline Vidal, curator Kathy Alliou’s “Making Worlds Exist,” and performances like Zhao Duan and Wang Xuanhe’s “Bouche à bouche”
For the first time, the WCO has merged its two major public-private sector events that contribute to the shaping of Customs technology-related initiatives, namely the Information Technology (IT) Conference & Exhibition and the Technology & Innovation (TI) Forum, into one major event – the WCO IT/TI Conference and Exhibition.The State Customs Committee of Azerbaijan will co-host this important high-level event in the capital of the ‘Land of Fire’, where a warm welcome will be extended to all the participants at the Heydar Aliyev Center.This year’s theme, “New technologies for SMART borders – New opportunities for Trade, Travel and Transport”, leverages on the WCO theme for 2019, by exploring the role of Customs and border agencies in exploiting the most recent, as well as some well-established technological solutions, to support not only trade, but also travel and transport, ensuring that all movements across borders are seamless, but secure. In that respect, the Conference will discuss how technological advancements are reshaping policies and contributing to safer and more sustainable trade. Blockchain, Artificial Intelligence, interpretation of non-intrusive inspection equipment images and relevant human competencies will be examined
